On this day, 11 years ago at 8:30 p.m. local time LUTH Idi-Araba, the Nigerian music industry was thrown into commotion and mourning following the announcement of the death of rapper Dagrin, one of the most promising rappers the industry had seen. The waters rose in disbelief as the news of his death spread like wildfire when his career was beginning to get a new shape.
Dagrin is also known as Barrack O’grin, born Oladapo Olaitan Olaonipekun, was born on October 25, 1984, died on April 22, 2010 at age 25. Dagrin remains one of the Nigerian rappers who revolutionised the Nigerian rap industry with his music rich in Cultural values using his mother tongue Yoruba infusing a little of Nigerian broken English. He depicted a thug life synonymous with street rappers who went from grass to grace in his journey.
In honour of the music icon, a film of his life titled Ghetto Dreamz, starring Trybson Dudukoko, and Doris Simeon-Ademinokan as his girlfriend was made and released in April 2011. The movie title was inspired by a track off his “CEO” album titled “Ghetto Dreams.”
The movie, a creation of movie director, Lancelot Imasuen, and Sringomania Entertainment, chronicles the growing years of Da Grin, his struggles, his rise to fame, and death.
In the very short time he spent in the industry, Da Grin released one of the most critically-acclaimed albums titled “C.E.O. (Chief Executive Omota English: Chief Executive Gangster)” that won the Hip hop World Award 2010 for best rap album.
He worked closely with Y.Q, 9ice, M.I, Iceberg Slim, Omobaba, Terry G, Ms Chief, Owen G, K01, code, MISTAR DOLLAR, TMD entertainment, Omawumi, Chudy K, Bigiano, and Konga. He associated with music producers like Sossick, Dr Frabz, Sheyman, Frenzy, and 02.
Dagrin played a pivotal role in what has been widely accepted as mainstream street hip hop today. His style of music made him a cultural icon even after his passing and a point of reference in major music-related discussions.
His songs touch upon ethnicity, pride while surviving the streets of Lagos and a hint of criticism elderly people hurl against bad behavior. Da Grin was the mouthpiece of the streets. His music mirrored the struggle of the average Lagos ghetto hustler trying to survive in a world of inequality. His song Ghetto Dream laid emphasis on his dreams, hopes, and aspirations.
His legacy is evident in the type of music that sprung after his passing, and the number of artists that picked up the baton from where he left off. A perfect example is a road he paved for artists like Olamide, Zlatan, Naira Marley, among others, to find their path in an industry that was still at its teething stage.
The industry had seen indigenous rappers who fused English (pidgin) and Yoruba, but no one made it as sonically appealing as Da Grin did. Some of his hottest award-winning singles Pon Pon Pon, and Kondo, remodeled how music was recognized. He was able to bridge the gap between core hip hop and pop music.
In 2009, Da Grin was a guest at DJ Jimmy Jatt’s Jump Off, which was a platform that created exposure for rappers. His appearance on that episode was so impressive that it became evident that this young Lagos rapper was going to be a force to be reckoned with among his contemporaries. It is argued until this day that some of the Yoruba indigenous rappers we have today would not have been this relevant if Da Grin had lived longer than he did.
Before his death, Da Grin released a song titled “If I Die,” which sounded like a prophecy or a premonition of his death. The song was almost too accurate to be a coincidence and it remains a mysterious question to date. Did he know he was going to die? The lyrics of the song felt like he was sending cryptic messages of what was to come. This remains a question we will never get answers to. Whatever the case may be, the industry will never forget a pioneer in mainstream hip hop, an icon whose legacy paved the way for others to follow. Da Grin, gone but not forgotten.
